1 Ekim 2012 Pazartesi

NEW RELEASES - ROBERTA FLACK, BOBBY LYLE, WILL DOWNING

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ROBERTA FLACK – ORIGINAL ALBUM SERIES: FIRST TAKE / QUIET FIRE / KILLING ME SOFTLY / FEEL LIKE MAKIN’ LOVE / BLUE LIGHTS IN THE BASEMENT

An incredible legacy in soul music – the first five solo albums by Roberta Flack – all packaged together in one hip little set! Roberta is one of the most unique artists of her time – a soul singer who burst on the scene at the start of the 70s with righteous roots in jazz, yet a way of reaching out to a much wider audience without ever losing her groove – a balance that's heard perfectly in the records First Take, Quiet Fire, and Killing Me Softly – all of which are essential records that should be in just about any music collection – soul or not! Feel Like Makin Love and Blue Lights In The Basement have Flack hitting some slightly smoother sounds, yet still sounding tremendous – picking up some influences from Eugene McDaniels, who helps out a bit on these records. Mainstream soul has never sounded more righteous – and the five records work perfectly together in this set – all served up in tiny LP-styled sleeves, too.

BOBBY LYE – NIGHT FIRE
A stone classic from Bobby Lyle – and a record that really has him stepping out strongly, both as a keyboardist and a singer! Bobby's strength at this point is undeniable – and he's got a perfect sense of balance that rivals contemporaries like Roy Ayers or Webster Lewis – both of whom work in a similarly jazzy groove! Lyle plays some great Fender Rhodes on the set – plus other more way-out keyboards too – and production is by the At-Home team, who really know how to bring in a strong sense of focus to the grooves, while still letting the best jazzy elements flourish. Titles include "Space Place", "Stop Running Away From Love", "Getting Into Love", "Dream Lady", "Stop Running Away From Love", and "For Love".
WILL DOWNING - TOMORROW
Will Downing, the next chapter – quite possibly the greatest entry in his trilogy of Yesterday, Today, and Tomorrow albums – and filled with fresh grooves that really let Will take off strongly! The vocals are sublime (could we expect anything less from Downing?) – and the rhythms have a lean, crispy, 21st Century soul vibe that turns out to be a perfect fit for Will's singing – one that's handled by the mature singer without any sense of cliche, and great care to keep things from ever getting too commercial or heavy handed. A brilliant third act from the master – with cuts that include "Here I Go", "Side To Side", "Only One", and "Falling".

:::: SOURCE: Dusty Groove ::::

STACY SULLIVAN - IT'S A GOOD DAY: A TRIBUTE TO MISS PEGGY LEE

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It’s a Good Day, A Tribute to Miss Peggy Lee, featuring Stacy Sullivan announces a fall performance series at New York City’s iconic Metropolitan Room. Stacy Sullivan, winner of the Backstage Bistro Award and the MAC Award for Outstanding Female New York Debut, has appeared in venues across the country, from Jazz at Lincoln Center in New York to the Ford Theatre in Hollywood. Ms. Sullivan notes, “We are thrilled to be appearing at the Metropolitan Room. Peggy Lee loved to perform late, so the Metropolitan Room’s 11:30pm showtime is perfect for us.”

The show dates are Oct. 17th 11:30 pm, Oct. 18th 11:30 pm, Nov. 10th 11:30 pm, Dec. 8th 11:30 pm, Jan. 28th 7:00 pm and Feb. 23rd, 7:00 pm.

It’s a Good Day, A Tribute to Peggy Lee is a journey of discovery…through the extraordinary musical legacy of Peggy Lee and the personal struggles of a woman whose voice captivated millions. The classic songs, intricate rhythms and exquisite arrangements that defined her career are elegantly portrayed in this loving homage. The show is accompanied by the seasoned jazz masters Jon Weber on piano and Steve Doyle on Bass.

Ms. Sullivan has recorded five albums for the LML Music label, including her latest, It’s a Good Day, featuring Jon Weber, Steve Doyle and Bucky Pizzarelli. Her new show, has been gaining critical acclaim as an interpretive exploration of the extraordinary music and personal struggles of a singer, composer, and actress whose remarkable career spanned over six decades, influencing jazz and popular-music culture worldwide.

For more information about the It’s A Good Day, A Tribute to Miss Peggy Lee, visit http://www.PeggyLeeFever.com or contact Emmett Murphy at: emmett.murphy@showHive.com or call 212-365-4154 x 5. To book tickets, visit the Metropolitan Room website.

GET UP! FOR THE NEW ALBUM FROM BEN HARPER WITH CHARLIE MUSSELWHITE

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Ben Harper has teamed with renowned harmonica master Charlie Musselwhite to create Get Up!, a piercing song-cycle of struggle and heart, slated for release by Stax Records/Concord Music Group on January 29th, 2013. Recorded in Los Angeles and produced by Harper, Get Up!, is his 12th studio album and first new recording since 2011’s Give Till It’s Gone (Virgin).

“Charlie and I have been looking to make this record for over ten years and now that we've gotten to it,” stated Harper, “I can’t wait to play it live.”

"Ben and I really locked in, personally and musically, when we recorded with John Lee Hooker,” added Musselwhite. “Ever since then we wanted to record together and being in the studio together is just a natural. You can hear it and feel it in the music on Get Up!”

A striking mix of blues, gospel, roots and R&B, Get Up! features ten vivid musical character studies, skillfully rendered in cinematic detail, all written or co-written by Harper. The politics of personal destruction is palpable on the opening track “Don’t Look Twice,”: “I'm a living nervous habit/I tremble and I twitch/Keep on pulling at me/Like I’m some kind of hanging stitch.” Likewise, a convict measures his prizefight with the truth as Harper growls in the title track: “Don't tell me I can't break the law/Cause the law has broken me.” Finally, a ghostly soldier awaits his duty but laments the mind-numbing futility of war in the haunting battle hymn “I Ride At Dawn,”: “Give a man a hundred years/He'll want a hundred more/Give him a hundred choices/And he still chooses war/From Salem poor to Genghis Kahn/Tomorrow I ride at dawn.”

Charlie Musselwhite’s searing point/counter-point harmonica accentuates Harper’s vocals throughout Get Up!, tying its songs together into a cohesive musical whole. The band, including Jason Mozersky, guitar; Jesse Ingalls, bass; Jordan Richardson, drums; along with Ben Harper on vocals, guitar and slide guitar; plays with economical grit, lending the songs true understanding and authority.

In 1994, Ben Harper released his first record Welcome to the Cruel World, marking his arrival as singer and songwriter of substance and ambition. Two decades later, an artist in full creative command, he’s delivered an inspired work of purity and depth. Get Up!, the new album from Ben Harper with Charlie Musselwhite, is sure to be one of 2013’s most essential recordings.

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NEW RELEASES - ANALOG PLAYERS SOCIETY, NOEL POINTER, TUCCI AND MANNUTZA

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ANALOG PLAYERS SOCIETY - HURRICANE SEASON IN BROOKLYN

"Amon's most audacious stroke is reworking three cheesy dance-rock hits from the '80s into the most successful reggae-style tracks in years." – Milo Miles (Fresh Air/NPR)

The Analog Players Society (APS) is a collective and community of musicians rooted at The Hook Studio in Brooklyn, NY and led by Producer, Engineer, and Percussionist – Amon. APS features a large cast of musicians including players from such heavyweights as TV On The Radio, Tortured Soul, Escort, Beirut, Si*Se, Blitz the Ambassador and Akoya Afrobeat Ensemble. The core of the project is eclectic by nature but carries serious strains of the Dub, Funk, Afrobeat, and Soul variety within it.

Things kick off on Hurricane Season In Brooklyn with “Free”, a driving horn fueled joint that’s hungrily swallowed the 90s Acid Jazz sound and spit it back out as something so much more live & funky. Next up, the album’s title track bounces willfully to its House & West London influences, with Cecilia Stalin (Koop) vocally soaring above the clouds. Other highlights include three 80s classic covers; No-Shooz’s “I Can’t Wait”, Shannon’s “Let The Music Play”, and Wang Chung’s “Dancehall Days”– reversioned in classic APS dub style. The nostalgic downtempo vibe of “Moments Combine” rounds out the album nicely. Hurricane Season In Brooklyn is currently #1 on iTunes World music charts. ~ Giant Step

NOEL POINTER - PHANTAZIA / HOLD ON

A pair of great pair of records from electric fusion violinist Noel Pointer – Phantazia from '77 and Hold On from '78 – in a 2CD set! Like others of the 70s generation, Pointer plays the violin in a way that's clearly heavily influenced by keyboards of the time – electric in amplification, and worked in a mode that uses the instrument to create waves of sound that flow out amongst the tighter fusion rhythms of the set. Dave Grusin arranged and produced the Phantazia set – in his best lean soulful mode of the time – and other players include Earl Klugh, Ralph MacDonald, Steve Gadd, and Grusin himself. Titles include "Mirabella", "Night Song", "Living For The City", "Phantazia", and "Wafaring Stranger". Hold On was recorded in a smooth, soulful mode – and once again has Pointer working with Grusin! Noel's sweet work on electric violin is set up nicely with keyboards from Dave, guitar from Eric Gale, drums from Steve Gadd, and percussion from Ralph MacDonald. Noel sings a bit on the set, but even better are the vocals from Patti Austin, Gwen Guthrie, Yolanda McCullough, and others – who flesh out the backgrounds on some tunes. Titles include "Staying With You", "Movin In", "Superwoman", "Stardust Lady", "Hold On", and the extended "Roots Suite", based on Quincy Jones music for the show! ~ Dusty Groove, Inc.


LORENZO TUCCI / LUCXA MANNUTZA - LUNAR   Pretty great work from the team of Lorenzo Tucci and Lucxa Mannutza – two artists we normally associate with much straighter jazz material, but who really take off here together! The format is still definitely jazz, but the energy is quite free a times – just drums and effects from Tucci, and shifting piano, Fender Rhodes, and Hammond from Luca Mannutza – played in these really flowing lines that sparkle amidst Lorenzo's energy on the drums – all in ways that are inside enough to swing, but in ways that really go beyond conventional jazz! The format is a wonderful development for both players – and really helps us appreciate their rich talents even more than before – hardly a trick or gimmick, and instead a compelling collaboration that almost makes us feel like ECM has collided with Schema Records. Titles include "Jet Lag", "Jungle & Space", "Lunar", "Moon Boots", "The Voyager", "Avaria", and "Inception". ~ Dusty Groove

YANNICK NOAH'S "HOMMAGE" TO BOB MARLEY

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Yannick Noah's albums are always awaited. Less than 2 years after Frontières, his new album is a tribute to one of his idols : Bob Marley. Yannick Noah covers 11 songs, more or less known, a project that's not surprising.

Covering a famous artist is a risky bet. Being France's favourite singer & covering Bob Marley's songs is riskier. However, Yannick Noah finally recorded a cover album of songs by the late Jamaican singer, who encouraged rastafaris. We remember "Could You Be Loved?" & "Redemption Song", 2 songs with politically-charged lyrics. Also, Bob Marley's lyrics were about brotherhood, peace & tolerance. Yannick Noah told the same themes on his album Frontières (2010). Both artists' universes are not far away, even if Yannick Noah continued the message since Bob Marley's death. Not a surprise because "Saga Africa" singer is a real fan of Marley. He covered some of his songs on stage, like "Redemption Song", here re-arranged in a dynamic version, to avoid the cut/paste. "I've sung it a hundred times live but on the album, we took the uptempo & dancing option." It's true, it sounds catchy. A good first single.
Yannick Noah's admiration for Bob Marley recalls us of the childhood of France's favourite personality. In the late 70's, when he was just a teenager, he saw Bob Marley on television for the first time. Later, he became a famous tennis player. Once he got into Bob Marley's music, Yannick Noah used it as a force that has accompanied him so many times : "He guided some of my decisions. He's been an energy."

But the emotion isn't the same. Yannick not only covered Bob's songs, he also lost the emotion. The songs have changed a little but they're recognizable, like "Jammin'". The former tennisman called Siméo to produce all the songs. "With Siméo, I've been working on melodies but softly, with acoustic instruments, as if they were nursery rhymes." But Bob Marley's songs are not simple nursery rhymes & Yannick Noah sings lyrics without getting the point. He used a lesser tone, leading to a more enjoyable & lighter harmony.

We don't mind about the songs covered by Yannick Noah. There are famous songs & less popular songs : "I Shot The Sheriff" & "Jammin'" have been hits but "Burnin' And Lootin'" isn't one of Bob's standards. We mind about what Yannick Noah wants to say behind each word that he said & behind each sound that he wanted different. Finally, we understand that Hommage must be considered as entertainment, either for the singer or the listener. Not more, not less.

To know more about Yannick Noah, check yannicknoah.com or his Facebook.

chartsinfrance.net

30 Eylül 2012 Pazar

Lady Antebellum Concerts

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Formed in 2006 by Charles Kelley (brother of singer/songwriter Josh Kelley), Hillary Scott (daughter of Grammy-winning country artist Linda Davis), and Dave Haywood, Lady Antebellum makes contemporary country music that relies on the trio's rich harmonies and impeccable instrumental skills. Since its inception, the trio has graduated from dive bars to the Grand Ole Opry, opening for Phil Vassar, Rodney Atkins, and Carrie Underwood along the way.
If you're a fan, then you can enjoy the news that Lady Antebellum has released a whole 2012 tour so don't miss your chance to see any of the Lady Antebellum concerts this year.

2012 Lady Antebellum Tour Dates
1/27 - Tulsa, Okla. – BOK Center
1/28 - Des Moines, Iowa
1/29 - Bloomington, Ill.
2/3 - Huntington, W.V. – Big Sandy Arena
2/4 - State College, Pa.
2/14 - Salt Lake City, Utah
2/15 - Denver, Colo. – Pepsi Center
2/18 - Dallas, Texas
2/22 - Nashville, Tenn.
2/25 - Detroit, Mich. – The Palace of Auburn Hills
2/26 - Evansville, Ind. – Ford Center
3/2 - Bossier City, La.
3/3 - Lafayette, La.
3/9 - Chicago, Ill. – Allstate Arena
3/10 - Omaha, Neb. – Mid-America Center
3/11 - Minneapolis, Minn. – Target Center
3/13 – Winnipedg, MB – Canada – MTS Centre
3/14 - Saskatoon, Saskatchewan - Canada – SK Credit Union Centre
3/16 - Calgary, Alberta - Canada – Scotiabank Saddledome
3/17 - Edmonton, Alberta - Canada – Rexall Place
3/19 - Vancouver, British Columbia - Canada – Pacific Coliseum
3/20 - Seattle, Wash.3/21 - Eugene, Ore.
3/23 - San Jose, Calif. – HP Pavilion
3/24 - San Diego, Calif.
3/27 - Los Angeles, Calif. – Staples Center
3/28 - Fresno, Calif.
3/29 - Sacramento, Calif. – Power Balance Pavilion
4/5 - Moline, Ill. – iWireless Center
4/6 - Kansas City, Mo. – Sprint Center
4/7 - Norman, Okla.
5/3 - New York, N.Y. – Radio City Music Hall
5/5 - Worcester, Mass.
5/6 - Hershey, Pa.
5/9 - Birmingham, Ala. – BJCC Arena
5/10 - Jacksonville, Fla.
5/11 - Tampa, Fla.
5/12 - West Palm Beach, Fla.
5/18 - Hartford, Ct.5/19 - Philadelphia, Pa.
5/20 - Columbia, Md.
5/22 - Augusta, Ga.
5/31 - Cleveland, Ohio
6/1 - Pittsburgh, Pa.
6/2 - Bethel, N.Y.
6/3 - Rochester, N.Y.
6/8 - Raleigh, N.C.
6/9 - Charlotte, N.C.
6/10 - Virginia Beach, Va.
6/14 - Montreal, Quebec - Canada – Centre Bell
6/15 - Ottawa, Ontario - Canada – Scotiabank Palace
6/16 - Toronto, Ontario - Canada – Molson Amphitheatre
6/21 - St. Louis, Mo.
6/22 - Atlanta, Ga. – Gwinnett Center
6/24 - Cincinnati, Ohio
6/27 - Little Rock, Ark.
6/28 - Memphis, Tenn.
6/29 - Indianapolis, Ind.

Red Hot Chili Peppers Concert Tour

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Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. Creating an intoxicating new musical style by combining funk and punk rock together (with an explosive stage show to boot), the Red Hot Chili Peppers spawned a slew of imitators in their wake, but still managed to be the leaders of the pack by the dawn of the 21st century. The roots of the band lay in a friendship forged by three school chums, Anthony Kiedis, Michael Balzary, and Hillel Slovak, while they attended Fairfax High School in California back in the late '70s/early '80s. If you're a fan, then you can enjoy the news that Red Hot Chili Peppers has released a whole 2012 tour so don't miss your chance to see any of the Red Hot Chili Peppers concerts this year. Check out www.RedHotChiliPeppersTour.net for tour dates, concert tickets, merchandise and more!